As of Chapter 397 of Hunter x Hunter, I’m no longer certain the Phantom Troupe is responsible for the Kurta massacre. In this post, I’ll explain why I hold this belief, who I think might be responsible, and why Kurapika’s quest for revenge may be even more misguided than we thought.
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ASKING THE QUESTION
As I touched on in my analysis of Chapter 393, it’s a common writing tactic to have characters ask questions the readers should be asking themselves. Togashi employs this strategy frequently. On the Black Whale, Hisoka has been asked three times about his identity, but he has never definitively answered.
In a similar vein, the Troupe has been asked twice about whether they were responsible for the Kurta clan massacre.
In both cases, the Troupe gave a non-response. In fact, it’s Kurapika who repeatedly assigns blame to the Troupe, and he’s not exactly the most reliable source.
Uvogin does claim to remember something resembling the Kurta massacre, but it’s possible this was an act.
He refers to the event in only vague terms, using the knowledge that Kurapika has already provided him. As for the details he does provide, they are dubious at best. Uvo claims the Kurta were “pretty powerful”, and while that may be true, it doesn’t really add up. He also says Chrollo took “quite a liking” to the Scarlet Eyes which is just… weird. It suggests a shallow, materialist view that Chrollo has never expressed.
In Chapters 397, it’s revealed that the Troupe planned to garner a nasty reputation in order to protect Meteor City.
This is all wrapped up in an allegory about acting. The Troupe want to “play the role of villains”, especially Uvogin.
It’s even in the name: Phantom Troupe. As in not real, fake, an illusion. I’m not saying the Troupe are completely free of wrongdoing, but it would have been in their interest to claim credit for the massacre (even if they didn’t actually do it).
On that note, it’s very possible Uvo was fibbing to Kurapika during their fight—playing the villain to antagonize him.
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SHEILA ‘THE GOOD’
At first glance, Kurapika’s backstory chapters seem to unmistakably peg the Phantom Troupe as the culprit. Sheila’s actions are especially suspicious, as she seems to reinjure herself several times, suggesting she is faking her injury.
Not to mention, at the end of the chapter, the traveler who discovers the massacre is said to be a woman.
All of this is meant to lead the reader to the false conclusion that the Phantom Troupe committed the atrocity with the help of Sheila.
However, Chapters 395-397 paint a very different picture of Sheila. We learn that Sheila actually has a tendency to injure herself while walking, and this could very well explain her behavior in Kurapika’s Memories.
We also learn that Sheila was the closest to the Sarasa, whose death catalyzed the Troupe’s descent into villainy.
After Sarasa’s death, Chrollo plans to play the villain, enacting revenge on her killers and protecting Meteor City. Sheila disapproves of Chrollo’s plan, and she leaves Meteor City with a dejected expression.
Chrollo himself admits that Sarasa would not condone their plan, and it’s likely that, given how close they were, Sheila objects for the same reasons.
In general, flashback Sheila is shown to be a very kind, sympathetic character. I believe she gave D Hunter to Kurapika and Pairo out of generosity, which is impressive considering her attachment to the book and her lack of personal belongings.
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THE MANNER OF THE MASSACRE
Whether or not Sheila was involved, there is still a major piece of evidence connecting the Troupe to the massacre. The second half of the Law of Retribution, a saying associated with Meteor City, is left behind at the scene. However, if we look at the manner of the massacre, it more closely resembles the work of the mafia. Consider the similarities between the genocide of the Kurta and the murder of Sarasa.
Additionally, Chrollo describes Sarasa’s murder as a “show” put on by the perpetrators.
When you think about it, this is very similar to how the Kurta massacre is described, not to mention Pairo’s beheading paralleling Sarasa’s.
Was the Kurta massacre a “show” as well? It’s possible the mafia’s intention was to frame the Troupe, but the message may also have been left behind as a statement. It’s not out of character for the mafia to respond to transgressions in this way.
The Troupe can “take away” Meteor City as a source for trafficking, but Sarasa’s killers can simply take their dealings elsewhere. It’s a twisted interpretation of the Law of Retribution—taking it and spitting it back at the Troupe.
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A SYNTHESIS OF THE ARTS
Whoever orchestrated the Kurta massacre wanted the Scarlet Eyes and decided to behead the villagers. While the Scarlet Eyes would be valuable to anyone involved in the Black Market, the showmanship of the massacre and the use of decapitation fits more closely with a certain Kakin prince.
I believe the mafia group responsible for Sarasa’s death and the murder of the Kurta, in this case, is the Hei-Ly. Not Morena’s Hei-Ly, but the Hei-Ly she overthrew prior to boarding the Black Whale. Everything surrounding Sarasa’s murder and the Kurta massacre fits Tserriednich’s profile.
In Chapter 397, Chrollo concludes that Sarasa’s killers recorded her death and will disperse them on the newly developing dark web.
In Chapter 343, we learn that Tserriednich was identified as the eyes’ owner because he posted a video of them on the dark web.
It especially makes sense that Tserriednich would be interested in putting the disembodied Kurta on display, given his nature.
Finally, Tserriednich’s tattoo artist, a former Hei-Ly member, is complicit in Tserriednich’s hobby.
If the pre-coup Hei-Ly was responsible for both incidents, it adds an interesting layer to the conflict on the lower decks of the Black Whale and the conflict between Kurapika and Chrollo.
Note: In Yorknew, Feitan and Paku are very vague about it, but at least seem aware the massacre occured. Chrollo reasons Kurapika has come for the eyes and revenge, presumably against the Troupe. Chrollo’s reasoning definitely makes it seem like they are at least aware they could be perceived as responsible.
The Library of Progg 